Lead Designer

I design for clarity
in complex systems.

I question what's being asked, work through the layers, and keep sight of what happens beyond delivery.

VIEW SELECTED WORK

How I work.

  • Question the brief

    Briefs describe what someone thinks they need. My role is to figure out what they actually need, and for whom. That questioning is part of the design, not a delay to it.

  • Think past the delivery

    I care about what happens after something ships. Sustainability and longevity are part of what good design means to me, not constraints to work around.

  • Make complexity legible

    I measure success by whether something that was opaque now feels obvious. If it needs someone to explain, it isn't finished.

  • Build accessibility in early

    Designing for the full range of people who might use something almost always makes the work better. Usually it's what reveals where the thinking wasn't rigorous enough yet.

  • Leave the team stronger

    Good collaboration isn't about process. It's about building enough trust that people share what they actually think, and making sure non-designers feel like the work is theirs too.

Selected work designed for researchers, archivists, policymakers, and newspaper readers.

    Designer. King's Digital Lab — academic research. Previously: fashion, journalism, marketing.

    I'm a designer with a focus on data visualisation, digital accessibility, and the kind of complexity that resists simple solutions.

    My career started in knitwear. I studied Textile Design at the Royal College of Art, which taught me to think about making things with care, constraint, and a strong point of view. An economic downturn pushed me into digital design, where I taught myself to code and found that the instincts transferred surprisingly well. Since then I've worked across fashion, journalism, marketing, and academic research, designing for mass audiences and niche specialists, under commercial pressure and on long research horizons.

    I currently work at King's Digital Lab at King's College London, where I've led design across funded projects from interactive data visualisations and digital archives to AI-informed tools and internal systems redesign. Collaboration is central to how I work. Most of my projects involve researchers, engineers, historians, and policymakers, which has sharpened how I communicate design decisions and build shared ownership across disciplines.

    The work I'm drawn to sits at the intersection of data, access, and meaning. Where making something clearer also makes it more useful, more inclusive, and more likely to last.

    Some organisations I've worked with.

    • University of Oxford
    • Royal Library
    • Royal Collection Trust
    • Alan Turing Institute
    • William & Mary Libraries
    • Wiedemann Lampe
    • University of Edinburgh
    • King's College London

    Domains

    • Data visualisation
    • Digital accessibility
    • Research systems
    • AI-integrated UX
    • Archives & sustainability
    • Design systems

    Methods

    • End-to-end product design
    • User research & usability testing
    • Information architecture
    • Cross-functional collaboration
    • Accessibility (WCAG)
    • DesignOps
    • Service design
    • Agile

    Tools

    • Figma
    • Adobe CC
    • D3.js
    • Observable
    • RawGraphs
    • Flourish
    • HTML / SCSS / JS
    • Jekyll
    • GitHub
    • Miro

    Publications

    Living with Machines: Computational Histories of the Age of Industry
    Book, Co-Author · 2024
    Small Data and Process in Data Visualisation
    Paper, Co-Author · 2024
    The Place of Models and Modelling in Digital Humanities
    Book, Co-Author · 2023
    On Making in the Digital Humanities
    Book, Contributor · 2023
    Humans in the Loop: Epistemology & Method in King's Digital Lab
    Article, Contributor · 2020
    Visual Research Methods in Fashion
    Book, Contributor · 2011
    Textile View magazine
    Magazine, Contributor · Issue 88 · 2009
    International Textiles Magazine
    Magazine, Contributor · June/July 2004

    Recognition

    Information is Beautiful Awards — Longlist × 6
    2022–2024
    RSECon2025 — Poster Award
    Lead Designer
    RSECon2022 — Poster Award
    Lead Designer
    Knit Happens: A Celebration of the Art of Knitting
    Woodend Creative Workspace, Leeds, UK · 2010
    John Dunsmore Travel Scholarship
    Field research, Nepal · 2009
    Entomological Knits
    Few and Far, South Kensington, London · 2009
    Off The Wall Exhibition
    The Gallery Room Russell Square, London · 2009

    Conference & Community

    Reimagining Digital Accessibility: From Compliance to Collective Responsibility
    Abstract, Main Author · RSECon2025 · DH2026
    Intelligent Systems for Screen Archives
    Demonstrator Event · 2026
    Building Robust Practices for Research Outputs
    Abstract, Co-Author · RSECon2025
    Research Excellence Framework 2021 Impact Data Analysis
    Abstract, Co-Author · RSECon2022
    Data and Process in Data Visualization: The Radical Translations Case Study
    Abstract, Co-Author · IIIE · 2021